Archive for ‘Writing’

March 4, 2011

Ch-Ch-Changes!

by thiszine

Hey friends, writers, readers, and ardent fans of THIS!

I’m thrilled to tell you that later this month changes will be happening at THIS. As we grow our readership, we’d like to become a greater part of your daily conversation on all things literary. We’ll soon be expanding the scope of writing in THIS by offering new columns, new reviewers, and lighthearted literary tidbits to pull you through that excruciating three o’clock meeting. If you’re a writer, blogger or reviewer, keep an eye on our blog for further information on how you can work with us.

In the meantime, happy reading!

Yours,

Lacey N. Dunham
Editor

March 3, 2011

“Faded” Sparks Teenager’s Literary Career

by thiszine

BY JOHN COLEMAN

Fifteen year old Oakville, Ontario student Maha Hussain is generating a lot of buzz lately. Last fall she published her first novel, Faded, through TriMatrix Consulting. Hussain has been working on the novel since she was twelve, when she mustered up the idea and gumption to make it as a teenage author.

Faded, which is being geared toward a student audience of thirteen years and up, begins when teenage girl Hope Padden survives a car crash which kills her parents. The tragic event rehashes an old relationship with a male imaginary friend who now seeks revenge on her, and with whom she must save the world from fear and unhappiness.

In a recent article with the Toronto Sun, Hussain admits she’s always been fond for writing and started honing her talent at a young age. By the time she was twelve she completed more than most people do in their whole life*she had the workings for a full-on 238 page work of literature.

“I wanted to prove people wrong and make my mom proud by writing the book” she proclaims in the interview. Hussain also keeps up a credible reputation as a student council member at her highschool, and as a volunteer at a hospital, among other endeavours. How’s that for overachieving?

Check out Faded’s Facebook page for more information.

February 19, 2011

February Thoughts from South Asia

by thiszine

BY KULPREET YADAV

 

Prof P. Lal, one of the most loveable Indian Publishers, closes his final book

I won’t talk about the literary festivals that are proliferating in India these days like wildfire (but don’t take me as someone who is averse to them). Rather, with esteemed reverence I would like to remember one of the India’s greatest publishers and writers, Prof P. Lal, who passed away recently. His ‘Writer’s Workshop’, during the five decades plus of its existence, published many famous names of the present times: Vikram Seth, Anita Desai, Shashi Deshpande and Raja Rao, to name a few.

 

I got to know about Prof P. Lal about four years ago and spoke with him on a few occasions. This was the time when I was looking for a suitable publisher for my novel. I had spoken to about a dozen editors and publishing house receptionists or so, and the only one who spoke to me with excitement was Prof Lal. Not just that, he also gave me a few words of encouragement, something that did a lot to my confidence and for which I am forever indebted.

But sadly, I couldn’t publish with Writer’s Workshop (I repent it to this day). And the only reason I didn’t publish my first title with him was due to the simple fact that WW didn’t have a distribution setup. Mr. Lal’s love for books was so deep-routed and his idea of books so unique that he hand-bound the books himself in lovely and colorful Indian sarees (the traditional clothing of Indian women) cloth pieces from his house at Kolkata, in north east India, and the book numbers were kept as low as 100, something like a limited edition.

During one of our recent conversations, I requested him to accept a small donation from me for the Writer’s Workshop, which his website announced they needed. I was honored because, not only did he accept my offer, but he also made it a point to talk about my small gesture on WW’s website. It is still there now. Aside from this, there was a poetry collection I had been working on, too, about which I told him and he asked me to send it for consideration. But since it wasn’t fully ready, I couldn’t send it. Now, perhaps, I never will. Worse, no one as good might ever be willing to see it.

 

A father at 94

Well, this got me thinking, I mean, how is it possible to father a child that is biologically one’s own at 94?

But it has happened right here in India! The man who achieved this feat asserted, according to a national daily, that it’s due to the food he had consumed when young: three liters of Buffalo milk, half a kilo of almonds and half a kilo of ghee (melted, clarified butter) everyday. It’s a magic formula to remain virile until the final breath, if you go by his theory. Food for thought for scientists, I guess.

In a race to unsettle the previous record holder, another Indian man who fathered a child at 90, this nonagenarian farmer is not just happy, he is bubbling with newly attained fatherhood and posing for pictures in his village in India’s northwest. He has called this unique achievement, ‘The God’s gift’. His wife is in her mid-fifties.

An important question: Is it not the responsibility of a parent to consider, before bearing a child, if he or she has enough residual time to bring up the child properly? But at 94 he can hardly be blamed to worry about such issues. And as Hugh Hefner, CEO of Playboy enterprises, recently said during his engagement to a Playboy model 60 years younger, ‘When you’re in love, age is just a number.’ Let’s watch out: he’s 84.

 

When it’s for the family, it pays to fight the weather

With the onset of a particularly aggressive winter this year, it hurt many of us to see so many people stuck at the airports all over Europe and America, spending Christmas and other holidays sprawled on hard benches or floors. So the question is: is it really worthwhile for you to jettison your travel plans, or the possibility of being with your loved ones, for the fear that the weather may play a spoil sport?

I would like to share what happened to me when I was confronted with the option and the opportunity came for me to visit my family at Delhi, nearly three thousand kilometers from where I am stationed. The newspaper had reported diversion of 76 flights during the last few days of December yet I grabbed the opportunity to visit my family with both hands and booked myself a flight for the first of January. And as luck would have it, the aircraft arrived in the afternoon on a clear day and on time. So you see, it does pay to fight the weather.

January 11, 2011

From our ‘zine: Fiction by Dorene O’Brien

by thiszine

Suspension Bridge
by Dorene O’Brien

I told him that I was a professor of 16th century Italian art. What else could I do? I’m a 33-year-old court clerk whose mother still demands kisses over the telephone. I have a blind cat and a Twix bar addiction, and I’m clearly not fast on my feet.

We met in front of the knockoff portrait of Madame Cézanne at the Baldwin Public Library when he steamrolled my large and copiously corned left foot while making a beeline for the men’s room.

“I beg your pardon,” he said, engaging in a little bladder-tension hop.

“S’all right,” I said, even though the pain was far worse than when the drugs wore off during my root canal.

When he exited the restroom I was sitting on a bench with my eyes closed, envisioning thousands of miniature carpenters mending my ailing foot, filing down the calluses, planing the skin to an even finish.

“I’m so sorry,” he said. “Can I get you some water?”

“For my foot?”

“No—”

“Forget it,” I waved him off. “I’m all right.”

“Well, I’m Tony.” He sat beside me, his expression pained and guilty.

“I’m Aboline.”

“That’s pretty,” he said. “Are you named after a relative or did your mother love Texas?”

“Actually,” I said, “my mother loved scotch and misspelled Abigail on my birth certificate.”

Tony’s laugh was hard and real, and I understood then that he was the only person in town who didn’t know the story.

Continue reading

——————-

Submit to this

January 10, 2011

Whitewashing History In Mark Twain

by thiszine

BY SWEETMAN

Mark Twain has been surrounded by controversy since he began publishing his writing. Witty, satirical and irreverent, William Faulkner hailed him as “the father of American literature.” Twain was born in 1835 and died in 1910, and his novels and essays were a reflection of his life and times. Twain’s writing is often light and humorous but he was equally infamous for his penchant to delve into sobering societal hypocrisies and inhumanity toward others.

For these dark themes, Twain’s most notable novels The Adventures of Tom Sawyer (1876) and Adventures of Huckleberry Finn (1884) have been mired in controversy over the appropriateness of teaching them to young readers. They have been banned from libraries, schools and curriculum since they were first published. The controversy surrounding Twain’s these novels still rages into the 21st century; his two most famous novels still rank in the top 100 of the American Library Association’s most frequently challenged and banned books.

Enter Auburn University Professor Alan Gribben, a Mark Twain scholar who decided, after forty years of studying and teaching the writings of Twain, to change the content of both The Adventures of Tom Sawyer and Adventures of Huckleberry Finn. His changes substitute racially derogatory words for African-Americans and Native-Americans for, in Professor Gribben’s opinion, the more socially acceptable 21st century terms “slave” and “Indian” (wouldn’t “Native American” be the more politically correct version?). He reasons that by substituting the n- and i-words for more socially acceptable words he is eliminating “preemptive censorship” of the novels and thus preventing further cries of inappropriateness in public schools. Professor Gribben defends his edits as offering to teachers and general readers “an option for a more palatable reading experience.”

Well doesn’t that just make altering a dead author’s work The Right Thing To Do! And maybe the politically correct white-washing of Classic American Literature will revise our unsavory and uncomfortable history of slavery, segregation and racial inequality!

Censorship is censorship. No matter how earnestly one feels he/she is defending an author, alteration of the author’s final text to make it more “palatable” to the masses is censorship. Mark Twain did not use the word “slave” 219 times in Adventures of Huckleberry Finn and no amount of good intention by Professor Gribben gives him the right to change Twain’s work. Furthermore, using a less inflammatory yet definitively wrong word as the substitution for a highly offensive, racially charged word sets Professor Gribben squarely on a path of whitewashing then rinsing an unfortunate part of American History.

There is a word for Professor Gribben’s particular brand of censorship as he is not the first well-meaning expert to try to gloss a work of literature to make it less offensive. Thomas Bowdler, an English physician, decided to expurgate the works of William Shakespeare and Edward Gibbons to render them more appropriate for the delicate eyes of 19th century women and children. His edits were soundly ridiculed and rejected. The term bowdlerize is now eponymous with literary censorship.

Gribben’s bowdlerization of Twain’s writing is an act of incredible vanity. During a reading as part of the NEA’s Big Read Program in Alabama, Gribben read The Adventures of Tom Sawyer and routinely substituted “slave” for the n-word to make for a more comfortable reading. Apparently Professor Gribben liked the swap so much that he is perfectly comfortable tweaking Twain’s works in writing to make it easier on our modern eyes.

Censorship of Twain’s novels does both the author and the content of the novels a tremendous disservice. It is impossible to know if Mark Twain would make politically correct changes to his novels today and we can only guess what he would want. Twain wrote in the vernacular of the time. The derogatory slang use of the n-word in the 1870s is not burdened with the unspeakable weight that it carries in the 21st century. Yet that unspeakable weight is the burden of a society that has to live with the acts and deeds of its predecessors, like it or not. Difficult as it is to read, write and speak, censorship of a novel that reflects true historical times does not protect or teach young readers and bowdlerizing literature to make reading more palatable teaches nothing.

The Adventures of Tom Sawyer and Adventures of Huckleberry Finn are tremendous novels with a sad truth still present today: our capability for committing inhumane acts. As a society, we haven’t changed enough to read Twain’s novels with any historical distance. To the contrary, the power of Twain’s writing has drastically changed to make his words uncomfortable, taboo and unspeakable in classrooms. Expunging those words changes nothing within our present culture. It’s just censorship.

January 7, 2011

From the ‘zine: Poetry by Sergio Ortiz and A B Datta

by thiszine

Good Morning Gulliver
by Sergio Ortiz

Welcome to my day Gulliver, the dogma of “no strings attached” embellish my
fingers and toes. Continue reading.

 

 

In Maps
by A B Datta

In the house of murder
we collide and try to speak a little
before everyone runs for home.
Continue reading.

 

December 15, 2010

Man Asian Literary Prize Longlist Announced

by thiszine

The 2010 Man Asian Literary Prize longlist was announced on Tuesday. The longlist nominees are:

- Three Sisters by Bi Feiyu
Way to Go by Upamanyu Chatterjee
Dahanu Road by Anosh Irani
Serious Men by Manu Joseph
The Thing About Thugs by Tabish Khair
Tiger Hills by Sarita Mandanna
The Changeling by Kenzaburo Oe
Hotel Iris by Yoko Ogawa
Monkey-man by Usha K.R.
Below the Crying Mountain by Criselda Yabes

The list includes 1994 Nobel Laureate Kenzaburo Oe and represents fiction writers from countries as disparate as India, China, the Philippines and Japan. This year’s judges are Monica Ali, Homi K. Bhabha and Hsu-Ming Teo. Finalists will be announced in February and the winner will be named in March at a ceremony in Hong Kong.

The Man Asian Literary Prize was founded in 2007. Awarded annually to an Asian writer, the Man Asian Literary Prize is given for the best novel either written in or translated into English.

December 10, 2010

From the ‘zine: Two Poems by Bill Yarrow

by thiszine

The Grave of Rimbaud
by Bill Yarrow

I visited the grave of Rimbaud.
It was pale blue like the blood
of a baby penguin.

Continue reading “The Grave of Rimbaud”

– – – – – – -

The Empty Bed
by Bill Yarrow

Bright falcons nested in the cracks of the cathedral
ceilings. Every closet had its owl.

Continue reading “The Empty Bed”

– – – – – – -

Submit to this.

December 4, 2010

THIS Reads: e-Hoarding the Best Online Lit Mags

by thiszine

BY JOHN COLEMAN

A couple of months ago I explained in THIS Reads how my library is home to an exhausted number of big-name titles and not so many lesser known, underdog books. Believe it or not, the problem is still troubling me. No, I haven’t been brainwashed by Penguin and Random House into zombie-walking to the nearest Chapters or some other chain store looking for the ex-president’s memoirs. And no, it’s not an odd catch-22 that I’d like to go out and pick up a copy of The Sentamentalists, the biggest small press book in a long time (although if you happen to miraculously find a copy, I’d love to borrow it once you’re finished).

No, the only problem troubling me is that I can’t find enough independent literature. I’ve become a bloodhound sniffing out anything under the radar. I thrive on the minnow-like, unheard author’s view of the sharks and whales in the rest of the sea. I obsess over the small press.

Lately, in order to feed my habit, I’ve taken on a risqué lifestyle quite frowned upon in the current reality TV age: hoarding. But my home isn’t billowing with pocketbooks and paperbacks. I want to avoid all the dirty stares. So, I’ve come up with the perfect little secret – the big “H” without any of the kickback – e-Hoarding. I’ve taken to spending many late nights turned early mornings searching the web for any sort of underground-lit I can find. And this month in THIS Reads, I’m going to let you in on some of the best online literature collectives I’ve found so far. I must say, in terms of niche writing, finding stuff that’s brand new and fresh is easiest through online journals. How ironic, you’re reading one right now.

Without further ado, I give you my e-picks of the month:

PANK – This is one of the best free literary magazines I’ve come across. They publish monthly with tonnes of new poetry and prose from writers worldwide. But that’s not saying much once you read a bit of PANK – the stuff they put out is very high calibre. Contemporary, relevant, cutting edge, the best adjectives represent what PANK is all about.

Abjective – Along the same lines as PANK, Abjective e-publishes great fictional prose and poetry, but there’s a catch. Abjective comes out weekly with only one piece of either poetry, prose, or creative non-fiction. It’s a stripped down literary ‘zine – the only thing on the site is the current piece and a minimalist description of the Abjective manifesto. If anything, it keeps you on your toes in anticipation for the next issue only every few days away.

My e-journeys in the past month have also brought me to Mel Bosworth’s Grease Stains, Kismet, and Eternal Wisdom available as a free e-book (yes, free!) at Brown Paper Publishing. The short novel of about one hundred pages is an interesting read, it definitely doesn’t bore with its parameters of lust, drugs and borderline insanity. But I won’t ruin it for you because you can, just as easily as I did, read it yourself.

Oh, and keep reading this, it’s also free, independent and full of great writing.

November 15, 2010

From the ‘zine: Fiction by Kris McGonegal

by thiszine

But Here
by Kris McGonegal

Do you remember that game we used to play? “Anywhere But Here” I think we called it. How we used to play it after the days so crappy we didn’t even have the energy to commiserate with each other? We’d each pick the one place in the world we’d love to be. If you don’t remember, its okay, it’s been years. I didn’t remember it until last week.

I remember how you’d always pick the strangest places, like Greenland. Who in their right mind would want to go to Greenland? Or Belize? I swear sometimes you’d make up places just to see if I’d notice. I don’t think I ever did. For my part, I always had one place: the hill by my grandmother’s old farm house. Continue reading “But Here.”

November 4, 2010

From the ‘zine: Seeing Through Red

by thiszine

Seeing Through Red
by Laura Dvorak

A week after I left the heat soared. The roads of Moscow were melting and men were dying, although indirectly and largely in part because they tried swimming the Baltic, bellies filled with vodka. Red vodka was my favorite, the cherry sweetness smooth and cool. The steaming streets of Moscow, becoming stickier in the third week of vindictive temperatures, were sprayed by convoys of water trucks, perhaps the very road-cleaning trucks the taxi crept behind, tires sluicing wet tar early Saturday morning two days before solstice. Maraschino light spilled across blocky buildings along the freeway. As the airport grew taller, I didn’t want to leave.

Continue reading “Seeing Through Red”

November 3, 2010

THIS Reads: NaNoWriMo Killed the Literary Star

by thiszine

BY LACEY N. DUNHAM

I always find myself frustrated by all the books I’m not reading. My “to read” list is always miles longer than the list of books I’ve finished. Compounding my frustration is that I’m a slow reader. I have friends who readily soar through three or four books each week and, unless all I do is sit in a chair for six hours a day intently focused on one book, knocking through multiple titles only days apart is something I rarely accomplish.

Then again, at least I’m reading, right? In an article at Salon in which she rails against National Novel Writing Month (NaNoWriMo), Laura Miller complains that there aren’t enough readers and far too many writers. And while there are statistics revealing that many folks in the U.S. spend more leisure time watching television or using a computer than reading, I don’t believe the argument that there is a dearth of readers in the U.S. People are reading; what people are reading has changed.

In the age of technology, reading occurs outside of books with an increasing frequency, something Miller doesn’t acknowledge in her article (which I “read” online although, because it doesn’t occur between the pages of a bound book, might not count as actual “reading” in Miller-world). Each Sunday I read the New York Times Book Review, in print; I try to read most of the New Yorker each week. When I travel, I frequently pack back-issues of magazines and literary journals I’ve been meaning to get around to and haven’t: Bitch, Poets & Writers, Zone 3, Zoetrope, The Normal School. I don’t work at a typical desk job, but if I did, I imagine that a chunk of my day would be spent reading articles and blogs online. Does all of this, because I’m not purchasing my reading from a traditional bookstore or downloading it on a Kindle, mean I’m reading-deficient?

To be fair, Miller’s article mostly deals with the reasons why someone shouldn’t participate in what she calls the “self-aggrandizing frenzy” of NaNoWriMo: “…while there’s no shortage of good novels out there, there is a shortage of readers for these books.” She’s right: getting published is not half as hard as getting someone to purchase your book, read it, and recommend it to others who will also purchase it once you’ve been published. And it’s true that few authors are commercially successful. But reading novels and writing them isn’t a zero-sum game.

Maybe I’m touchy because I am participating in NaNoWriMo and I take it personally that Miller refers to writing as a “narcissistic commerce,” even if I’m not sure where the “commerce” part comes in. If I’m supposed to be getting wealthy from all this, I wish someone would have told me long ago so I could have the last laugh over my friends who elected law and business school.

Miller implies that Wrimos (NaNo parlance for participating writers) aren’t reading any books or, at least by her judgement, not enough of them. I disagree with this assumption, too. Maybe Wrimos aren’t reading the same types of books Miller would read (she goes on a long rant against self-help books in her article) but reading is reading, regardless of the material. And, unless it’s Nicole Richie’s latest novel, I don’t think reading in all its many forms is making anyone more stupid.

So in addition to all the magazines, lit journals (both in print and online), book reviews and newspapers this particular Wrimo has read over the last month, I also enjoyed Julia Glass’s novel The Widower’s Tale, a story shaped by four voices that represent various corners of modern American culture. Set against the backdrop of eco-terrorism, limousine liberals, and a longing for the past in the face of rapid change, Glass succeeds in illuminating the darkest corners of our hypocrisy and hopes, all with her characteristic tenderness and humor.

Leslie Marmon Silko has been a favorite writer of mine ever since I read Ceremony. The Turquoise Ledge is her first book in ten years and a beautiful memoir that fuses elements of her family’s mixed-race heritage with Native myths and reflections on the natural world. Her imaginative storytelling travels across boundaries of time to share aspects of her life as they are remembered; for example, her first divorce is discussed alongside the eradication of the Laguna language.

University of Chicago historian Thomas C. Holt presents a generational and nuanced portrait of African-Americans in Children of Fire, a uniquely framed history that traces the shifts in culture, policy, and social norms that have defined race relations and institutions of oppression in the U.S. from when the first Africans were sold in Jamestown in 1619 to the election of President Barack Obama. Holt’s history reminds us that lives mired in history as it is lived are far more complex and dynamic than the flattened accounts textbooks would have us believe. I don’t generally read histories but appreciated Holt’s perspective and sharp narration. Children of Fire is a long book but it doesn’t lag.

Finally, confidential to all the Wrimos clattering away at their keyboard out there: Carolyn Kellogg is on our side.

October 30, 2010

THIS Reads: Have a Booktacular Halloween!

by thiszine

BY SWEETMAN

Shortening days, a nip in the air and wind that promises to find a way to chill your bones: oh yes, it’s time to hunker down in the dark, quiet night with a good ghost story and hope the creaks and rustles you hear are the usual sounds that always happen when night falls and the house settles. Yes, you better hope for that. And shut your eyes tight when you think you see a shadow pass your door because it’s probably the headlights of a car driving by or the stupid cat creeping around. Yes, you better hope for that too.

A good ghost story has a delicate way of easing a reader into a terrified state. It is a subtle art that raises the pulse and sends chills down the spine. A good ghost story makes the reader leave the light on long after the book is closed, moved off the night table and thrown into another room. A good ghost story stays with the reader for a long time and quite often begs to be re-read despite the lost sleep.

I usually dig out a book of ghost stories when the leaves begin to change. Halloween is my favorite time of year, I love to be scared – not terrified, just scared in a fun way that I know it’s going to end. Unfortunately, many of these ghost stories don’t exactly end when the story is over. They do linger and pop into my head at the most unfortunate times, like when I’m throwing laundry into the dryer late at night and I suddenly have to run up the stairs because something was there.

I am always on the look out for great ghost stories. I’ve read a lot of horror, terror and slash-and-kill stories, all of which never have the same chilling effect. These stories and collections are by far the best I’ve read.

The Haunting of Hill House by Shirley Jackson (Penguin, 1959)

Hill House, an eighty year old mansion, has been rented by Dr. John Montague, a paranormal investigator who hopes to confirm the existence of the supernatural. He brings along three “assistants:” Eleanor, Theodora and Luke. They were chosen by Dr. Montague because they have all had previous paranormal experiences.

Hill House is the protagonist in Jackson’s slightly dated but extremely well-written novel. It is eerie and cold, awake and watchful from its blank windows, “a house without kindness, never meant to be lived in, nor a fit place for people, for love or for hope.” It is full of odd angles and sudden cold spots as well as mysterious noises. As the characters settle in, the house begins to play upon their fears. None of the characters experience the same fright, which makes each terror a singular event with the other characters wondering what is happening.

Jackson masterfully plays upon the psychological terror of the unknown. The eeriness of the novel crept up on me. While there is never a clear, defined event to confirm the presence of ghosts or the paranormal, the hints and individual interpretations of phenomena are by far more scary. It is a chilling novel despite the occasional stilted dialogue, one that I was certain wasn’t frightening in the least when I started out reading it on a cold night but soon decided it was best read during the daylight hours.

The Turn of the Screw and The Aspern Papers by Henry James (Penguin Classics, 1898)

Henry James wrote one scary novella in The Turn of the Screw. Instead of blatant ghoulies and ghosties, this is another eerie tale of psychological terror and is well worth the concentration it will take to get the hang of Henry James’s style of writing.

A governess agrees to take charge of two orphaned children and moves to the countryside from London to find herself with two charming but odd children and a surly housekeeper, Mrs. Grose, who readily gives over the children. The governess is also most entirely alone with her charges and has been instructed by the children’s uncle that he is not to be bothered.

The tension begins when the governess starts seeing a young couple around the property. They appear at random times and seem to cause no interest or concern in any other occupants of the house. The governess becomes convinced they are the ghosts of the former governess, Miss Janse, and her illicit lover, both of whom, she learns from Mrs. Grose, died suddenly and unexpectedly. Things get a bit creepier when the governess becomes convinced that the children are seeing the ghosts as well.

This is Gothic writing at its best. Fear and tension build in the governess’s evolving awareness of the of the evil surroundings she has found herself. James is masterful in the implication of doubt: is the governess overreacting or are these frightening things really happening?

The Aspern Papers, though not a ghost story by any means, is the story of an obsession and a very quick read. It is well-written and very readable and I highly recommend it as a nice follow up if you want to get the eeriness of The Turn of the Screw out of your head.

SPOOKY New England: Tales of Hauntings, Strange Happenings, and Other Local Lore by S. E. Schlosser, illustrated by Paul G. Hoffman (Globe Piquot, 2003)

This is a collection of strange happenings, weird tales and ghost stories gathered from towns and places all over New England. Some are very old and familiar, some are obscure and quite chilling. Schlosser has a simple style and an easy way of drawing the reader into the stories. It is something of a travel book as well, especially if you are interested in ghost hunting. I have several, creepy favorites: “The Man Who Could Send Rats,” “The Black Dog Of Hanging Hills,” and “The Lady in Black.” The wood cut illustrations are clever and well done. Schlosser has created a regional series of spooky stories which has an appeal for those in the areas of which he gathers his tales.

Bloodcurdling Tales of Horror and the Macabre by H.P. Lovecraft, illustrated by August Derleth. (Ballentine, 1987)

H.P. Lovecraft, the Über master of modern horror, earned that reputation for a very good reason. His stories are legend for their psychological thriller elements. His protagonists are rational, normal human beings who are placed in the incomprehensible and inconceivable and his stories are disturbing, weird and unsettling. Edgar Allen Poe was an obvious influence. He loves to play with the unknown, which I believe is one of the most terrifying elements in a scary story. This compilation is an excellent grouping of his “bests,” although read through in one sitting they can become formulaic and predictable.

A few of my favorites from this collection of short stories and novellas are:

- “The Rats in the Walls”: an inherited ancestral mansion has walls filled with scurrying rats.
– “The Picture in the House”: a house of refuge in a rainstorm has a disturbing picture on the wall.
– “In the Vault”: a grave digger has to dig himself out of a crypt.
– “The Whisperer in Darkness”: a scientist goes to Vermont to disprove the existence of fairies.
– “The Haunter of the Dark”: a writer creates a horrible being that can only live in the dark.

Lovecraft, practically unknown in his lifetime, set the stage, tone and a very high watermark for today’s horror writers.

Something Wicked This Way Comes by Ray Bradbury (Bantam 1962)

This was my first horror novel and boy, did it do a number on me as a kid! Not only did it fill me with ideas regarding the significance of dates and hours of birth but I developed a belief in the powers of inanimate objects and it forever changed the way I feel about carnivals, carny folk and tattoos.

The story takes place in a small town that is preparing for the arrival of a carnival with fliers advertising “Cooger and Dark’s Pandemonium Shadow Show.” The two heroes, best friends Jim and Will, who were born two minutes apart on either side of Halloween, discover this is no ordinary carnival when they sneak out in the middle of the night to watch it set up. When they begin investigating during the daylight, they notice very strange things about the rides and the effect it is having on the townspeople.

Bradbury’s carnies are perfect, creepy, sleezy, dark and skeevy. There’s G. M. Dark, the tattooed freak, and his evil partner, J. C. Cooger. The carnival is also populated with The Dust Witch, a blind fortune teller, The Skeleton and Tom Fury, the dwarf. These are the carnival people you can’t resist but who fill you with terror and dread if you find yourself alone in their presence. A merry-go-round and a house of mirrors will never be the same after you read this novel.

Something Wicked This Way Comes, a classic tale of good and evil, is well written and the Gothic horror theme works well in its small-town setting, proving that even wholesome places are vulnerable to evil forces.

My, my, my how the cold winter nights will fly as you settle down with these stories and hope for spring.

October 26, 2010

Fiction from the ‘zine: Cameron L. Mitchell’s “Vacuuming Again”

by thiszine

Vacuuming Again
by Cameron L. Mitchell

Pretending your husband isn’t outside the trailer smoking a joint is easy enough when there’s so much to clean. Men are ridiculous, Bonnie thinks with a smirk on her face. They think you don’t know what they’re up to. If Bonnie had a nickel for every time Danny thought he was pulling a fast one over her, well, maybe she wouldn’t be confined to life in a trailer.

The electric hum of the vacuum cleaner calms her nerves. She likes keeping a clean and, dare she think, happy home for her family. This is the fourth time she’s unleashed the small mechanical wonder today against the powers that be, the unrelenting gathering of dust that tickles her nose, making her sneeze and sneeze, as well as all the other scraps and debris that stain an otherwise happy home. With Danny Jr. running around all over the place with folded pieces of sliced cheese in his hands, it’s no wonder Bonnie often notices bits and pieces of old, hardened food stuck in the carpet.

That’s kids for ya. They make a mess. And mothers clean up after their babies. Bonnie only wishes her husband wasn’t such a baby needing looked after as well. She has her hands full with Danny Jr. and little Michaela. Right now, while Danny smokes his joint, he’s supposed to be out there watching their son, making sure he’s not getting into any trouble. But what kind of mother does that make her, that she trusts her dimwitted man to see past the plume of marijuana smoke to keep an eye on anything?

Continue reading “Vacuuming Again” by Cameron L. Mitchell

October 25, 2010

CanLit Award Predictions

by thiszine

BY JOHN COLEMAN

CanLit awards season is heading into its last few weeks (our big three prizes will all be handed out by mid-November). Thus, it’s time for predictions, and, if you are a real lit-junkie, some serious bets. First, a few quiet observations.

What everyone is perhaps not so quietly talking about is Kathleen Winter’s triple nominations for the Giller Prize, Governor General’s Award and Writers’ Trust prize for her novel Annabel. It is Winter’s debut novel after her 2008 Winterset Award winning short story collection boYs.

Feeling two-thirds the heat as Kathleen Winter is Emma Donoghue, up for the Writers’ Trust and GG for her novel Room. The novel was also short-listed for the Man Booker earlier this fall.

There are lesser hopefuls that may surprise Canada with a big win after all. David Bergen’s new novel The Matter With Morris has had its share of recognition this season. It is up for the Giller and may just take the cake out of Winter’s mouth.

That said, it would be doggishly ironic if Sarah Selecky’s This Cake Is For The Party won the Giller. This is her debut work and has created considerable buzz in critic’s circles. Perhaps if the GG and Writer’s Trust accepted story collections, it would also approach taking those awards.

On to my predictions: be warned, the following is purely unfounded speculation.

On November 2, Michael Winter’s The Death Of Donna Whalen will win the Writers’ Trust award for fiction. In non-fiction, Sarah Leavitt will win for her graphic memoir Tangles: A Story About Alzheimer’s, My Mother and Me.

A week later on November 9, Emma Donoghue will win the Giller Prize for Room.

And in mid-November the Governor General’s Award for fiction will be presented to Kathleen Winter for Annabel. In non-fiction, Allan Casey will win for Lakeland: Journeys into the Soul of Canada.

October 22, 2010

NaNoWriMo: What the Hell Was I Thinking?

by thiszine

BY LACEY N. DUNHAM

In the past, I’ve toyed with participating in National Novel Writing Month (NaNoWriMo) but have always found an excuse: November’s too busy, I’m in the middle of a project, I’m spending every waking hour of the entire month washing my hair.

Then Lars happened.

I’d completely forgotten that NaNoWriMo was approaching when Lars asked me, in September, if I planned on participating this year. Caught unawares by his Canadian charm, I couldn’t think of a good excuse. Even my previous year’s handy, ready-made put-offs evaporated.

Why is my resistance so weak to you, Lars?

So now I’m participating in NaNoWriMo. This means that during the month of November, my goal is to produce a 50,000 word novel alongside thousands of other writers (called “wrimos” in the NaNoWriMo parlance). I calculated this out: if I’m going to meet my goal of 50,000 words, I must write approximately 1,666 words each day for thirty days. That’s about three, single-spaced pages of a novel on a daily basis.

Scratch that. My goal for the month of November is not to go crazy trying to write a 50,000 word novel.

The main problem is that I’m a slow writer because my self-editor kicks in far too frequently. Even if I write three pages (or more) a day, I’m just as likely to delete 80% of my work the next day. I get stuck in the synonym mud of finding the perfect alternative to the word “bitter.” I work and re-work dialogue between characters and, sometimes, entire characters themselves. I tend to write fiction that is less action-orientated and more literary, where characters have an argument on one page and spend the next forty pages reflecting on it.

Also, I’ve never written a novel before. Not a real, grown-up novel. I wrote “novels” all the time when I was a child, but these were mostly fifty page rip-offs of whatever Nancy Drew or Boxcar Children book I’d recently read. Once in a while I’d get smart and rip-off Katherine Patterson or Mary Downing Hahn but, generally, I’d go the commercial route with easily marketable mysteries. My writing focus is on short stories, many of which undergo three or four complete revisions before my first reader ever sees a draft. I guess the question is, can a short story writer produce a fifty thousand word novel in just thirty days?

I don’t fool myself that this novel will be anywhere near good. No one will ever read it because after November, I’ll paw through its carcass for salvageable phrases and then delete the remainder without mercy. In all likelihood, this “novel” will reflect the various curse words I pitch at my computer screen as I sit down to advance my literary, people-in-a-room-thinking plot one word at a time.

So what’s the point of participating in NaNoWriMo?

For one month, I can try something I’ve never done before and can do it in the company of the very active NaNoWriMo group in my region. While I’m suffering, so will thousands of others and, in an odd way, that provides great comfort. I have permission to shut-off the self-editor that lives in my head. And Lars has promised me cupcakes. Isn’t that reason enough?

 

To join Lacey in her NaNoWriMo adventures, sign up to participate and then search for her under the username “laceywritesanovel.”

October 12, 2010

From Shortlist to Winner, the Man Booker Committee Pulls an Upset

by thiszine

Howard Jacobson‘s novel The Finkler Question was announced the winner of the 2010 Man Booker Prize in a London ceremony earlier today, dispensing with Tom McCarthy’s C, which was considered the front-runner for winning the prize and even caused the British bookmaker Ladbrokes to close betting on wagers for the prize after they received nearly $24,000 USD in a single day.

Jacobson’s previous novels include Who’s Sorry Now and Kolooki Nights, both of which we shortlisted for the prize in 2002 and 2006, respectively. The prize comes with a $79,000 USD monetary award and an almost guaranteed bestseller status in the United Kingdom. Assuring the winner’s book will fly off the shelves in North America is another matter, one that last year’s winner, Hilary Mantel for her novel Wolf Hall, surprised with its commercial success abroad. Wolf Hall went on to win the National Book Critics Circle Award in the U.S.

October 11, 2010

National Coming Out Day: 10 Recommended LGBTQ Books

by thiszine

Today lesbian, gay, bi, trans, and queer folks across the U.S. celebrate National Coming Out Day, a civil awareness day to bring attention to issues that impact LGBTQ communities nationwide. With media attention on the number of teenage suicides connected to homophobic bullying and the stalled repeal of Don’t Ask, Don’t Tell, the U.S. military ban on gay and lesbians in the military, we decided to contribute something positive to the negative news.

10 RECOMMENDED LGBTQ BOOKS

1. Fun Home: A Family Tragicomic by Alison Bechdel
Bechdel, who penned the long-running comic strip Dykes to Watch Out For, reached both new audiences and a greater artistic depth with her autobiographical graphic novel about a family falling apart. Bechdel quietly examines how secrets and lies can undo the truth while simultaneously becoming their own reality.

2. And Tango Makes Three by Justin Richardson and Peter Parnell
This illustrated children’s book topped the list of the most banned and challenged books in the U.S. for three years running; this year, it fell to third on the list. The true story of two male penguins at the New York City Central Park Zoo who are given and egg to hatch is also a moving tale about love and family.

3. Gender Trouble: Feminism and the Subversion of Identity by Judith Butler
Frequently critiqued for her obtuse writing style, Butler’s academic text has been a constant critical companion to gender and sexuality courses at universities ever since its initial publication in 1989. Drawing from French philosophers like Lacan, Foucault, Sartre and, of course, de Beauvoir, Gender Trouble is a seminal work on the paradigm and politics of gender identity that is not for the casual reader.

4. Three Junes by Julia Glass
Glass’s debut novel won the National Book Award – and rightly so. A compassionate, moving tale that weaves the lives of three characters over the course of three vital summers is both gently humorous and dramatically compelling: Paul, a widower, his self-protective gay son Fenno, and Fern, a young artist searching for love and meaning in her life. Through these and her supporting characters, Glass tells a tender, beautiful story of the circular nature of life and love.

5. Lockpick Pornography by Joey Comeau
With its fierce, hybrid cover that mashes the face of the Sesame Street character Bert over a pencil drawing of a leather jacket-wearing, crowbar-wielding thug, Comeau’s debut novel picked up considerable word-of-month buzz that sold out its first printing in just three months. Described as a “genderqueer adventure story” Lockpick Pornography is also a wild romp through violence, gender, family and societal values, and sex. It’s also not a recommended title to Google without quotation marks.

6. The Line of Beauty by Alan Hollinghurst
Winner of the 2004 Man Booker Prize, Hollinghurst’s novel fully encompasses England during Margaret Thatcher’s reign as prime minister and the fast gay culture of the ’80s while also examining the tangles of class, politics, and lust.

7. Call Me By Your Name by Andre Aciman
Aciman’s coming-of-age novel centers on the erotic longings and desires that frequently define our youth, whether left unconsummated or not. Seventeen-year-old Elio is attracted to the confident American university student Oliver. Their friendship gradually becomes a passionate and clandestine affair. Aciman draws a portrait of youthful obsession with intensity.

8. Oranges Are Not the Only Fruit by Jeanette Winterson
Another coming-of-age novel, Oranges Are Not the Only Fruit is semi-autobiographical; the narrator and budding evangelical, Jeanette, must reconcile her Jonathan Edwards-style religious beliefs with her growing same-sex attractions.

9. Fingersmith by Sarah Waters
Following up on the lesbians-in-Victorian-England theme begun with her novel Tipping the Velvet and continued in Affinity, Fingersmith is a Dickensian melodrama replete with pickpockets, orphans, sooty London streets, and asylums. It’s also a sharp critique of Victorian moral and sexual hypocrisy.

10. The Night Listener by Armistead Maupin
Another writer whose novels are frequently compared to the works of Dickens, Maupin’s protagonist in The Night Listener, finds himself drawn to an abused but devoted thirteen-year-old boy and fan of the radio show he hosts. Suspenseful, humorous, and filled with pathos, the anxiety of the midlife crisis is examined alongside greater questions of the blurred line between art and reality.

October 10, 2010

Book Review: Henry VIII: Wolfman by A.E. Moorat

by thiszine

HENRY VIII: WOLFMAN
by A.E. Moorat

Hodder & Stoughton Ltd
(July 2010, $9.55, 416 pages)

Once upon a time, I was offered the chance to review Queen Victoria: Demon Hunter, A.E. Moorat’s first novel. I almost passed on it because I was a little wary of historical fiction mash-ups, but I knew it had zombies in it, so I figured it was worth reading at least once. In the novel, Queen Victoria fights the evil clan of Baal with the help of the Royal Protektor, Maggie Brown. Most of England is completely ignorant of the demonic dangers, so the Royal battles are suppose to be kept secret.

It turned out to be one of the best novels I have ever read. I was expecting a mix of Brian Keene & Phillipa Gregory; instead, Queen Victoria: Demon Hunter was more like “Army of Darkness” meets “The Mighty Boosh”: a very entertaining fantasy-adventure, but not quite horror. The novel made me a Moorat fan, so I was very excited to read the next novel.

In Henry VIII Wolfman, the King also deals with the clan of Baal but the novel is very different from Queen Victoria. In an extremely long and elaborate flashback between the prologue and epilogue, mainly told from Henry’s point of view, Henry VIII: Wolfman is an alternative historical account from a universe completely different from the believable, behind-the-scenes story of real historical events in Queen Victoria. Even though I didn’t find Wolfman nearly as amusing as Moorat’s first novel, it was a great psychological-horror story about a king struggling with a major life change while trying to save his people.

In the prologue, Henry has transformed into a werewolf and has devoured the Queen, though which wife is not specified. He then remembers everything that led up to the moment described in the prologue: Henry is beginning to get fat, he’s in the Palace of Greenwich and Anne Boleyn catches his eye. There are also hints at a romantic interest with Jane Seymour, who turns out to be quite the noble woman.

Henry’s major problems begin when a wolfen cell, led by a werewolf Malchek and tired of being the lowest rung on the ladder among the Baal descendants, uses King Henry as a pawn by infecting him with lycan blood. The king tries to hide this turn of events from everyone at court. Meanwhile, Sir Thomas More is falsely accused of being a werewolf by fake witchfinders and, due to court politics, Thomas Boleyn and the Duke of Norfolk refuse to come to his aid. Cardinal Thomas Wolsey, who is searching for More, is desperate to find a reason for the Pope to declare war on the Wolfen, despite the treaty signed at the Field of the Cloth of Gold in 1520, or else convince the King to abandon his quest for revenge.

The best parts of this story, for me, were the witchfinders, Hob and Agatha. These two reminded me of the entertaining Lord Quimby and his man-servant Perkins in Queen Victoria. I wish there had been more of their humor in this novel. I wasn’t sure what type of mash-up the author was trying to write aside from the obvious twist on Henry’s reign. I am still a fan of Moorat, though I’m hoping he will finally give Lord Quimby and Perkins from a spin-off novel of their own.

- Ursula K. Raphael

October 7, 2010

Mario Vargas Llosa, Nobel Laureate in Literature, Breaks Eurocentric Streak

by thiszine

Mario Vargas Llosa was awarded the Nobel Prize in Literature today, ending what some have decried as the prize’s long Eurocentric streak. Vargas Llosa, a Peruvian native, is probably best known for his novels published in the 1960’s and ’70’s, including The Time of the Hero, The Green House and Conversation in the Cathedral, all of which are deeply political works that examine the pervasive corruption in Latin America.

Vargas Llosa is the first South American writer to win the Nobel Prize in Literature since Gabriel Garcia Marquez was awarded the prize in 1982; Mexican novelist Octavio Paz, the most recent Latin American to win, was awarded the prize in 1990.

Vargas Llosa has been criticized for a shift in his politics. Initially a supporter of the Cuban revolution, he took a political step away from Fidel Castro in the 1970’s and ran for the presidency of Peru in 1990 as a right-center conservative. Despite the political nature of his work and its examination of corruption in Latin American, his alignment with policies and economics of the right have left hard feelings among some writers and politicians in Latin America. According to the Wall Street Journal, Vargas Llosa punched former friend and ally Gabriel Garcia Marquez at a movie premier in Mexico City in 1976. The two writers have not discussed the feud publicly.

Vargas Llosa currently teaches Latin American studies at Princeton University. Last year’s Nobel Prize in Literature was awarded to German-Romanian writer Herta Muller.

October 4, 2010

Giller Prize Longlist; Shortlist Announcement Tomorrow

by thiszine

BY JOHN COLEMAN

The longlist for the 2010 Scotiabank Giller Prize, the leading literary award for Canadian authors, was announced Monday, September 20. This year’s judges – Canadian journalist and broadcaster Michael Enright, American author and professor Claire Messud, and renowned UK author Ali Smith – decided on thirteen titles from ninety-eight submissions from a wide variety of Canadian publishers.

This year’s selections are diverse and somewhat surprising compared to previous years, with a balanced list of big and small presses, male and female authors, and novels and short story collections.

The 2010 Giller Prize for Fiction longlist is:

- The Matter With Morris by David Bergen (Phyllis Bruce Books/HarperCollins)

- Player One by Douglas Coupland (House of Anansi Press)

- Cities Of Refuge by Michael Helm (McClelland & Stewart)

- Light Lifting by Alexander MacLeod (Biblioasis)

- The Debba by Avner Mandelman (Other Press/Random House)

- The Imperfectionists by Tom Rachman (Dial/Random House)

- This Cake Is For The Party by Sarah Selecky (Thomas Allen Publishers)

- The Sentimentalists by Johanna Scabbard (Gaspereau Press)

- Lemon by Cordelia Strube (Coach House Books)

- Curiosity by Joan Thomas (McClelland & Stewart)

- Sanctuary Line by Jane Urquhart (McClelland & Stewart)

- Cool Water by Dianne Warren (Phyllis Bruce Books/HarperCollins)

- Annabel by Kathleen Winter (House of Anansi Press)

The shortlist will be announced at a Toronto news conference tomorrow October 5 and the 2010 Giller Prize winner will be announced November 9.

While I have you here, I’d like to mention that the five nominees for the City of Toronto Book Award were announced recently. They are:

- Prince of Neither Here Nor There by Sean Cullen (Penguin)
Valentine’s Fall by Cary Fagan (Cormorant)
Where We Have To Go by Lauren Kirshner (McClelland)
The Carnivore Mark Sinnett (ECW)
Diary of Interrupted Days by Dragan Topologic (Random House Canada)

The Toronto book award has been running annually since 1974. This year’s finalists will read selections from their works at the Word On The Street book and magazine festival in Toronto on September 26. The winner will be announced October 14.

September 27, 2010

Harry Potter and the Chamber of Censorship

by thiszine

BY URSULA K. RAPHAEL

If you’ve paid attention to recent news, you’ve probably heard about Terry Jones, the preacher who proposed burning the Qur’an. Alas, book censorship is still alive and well in the United States, the country that totes freedom of speech as our national mantra. Not only is it ridiculous, but it’s a shameful waste of millions of trees. Unfortunately, there are people who are so desperate to protect others from what they consider “harmful reading material,” they are probably recruiting computer hackers to create viruses to stop the downloading of “dangerous ideas” to Kindles everywhere.

Number one on the banned/challenged book list of 2000-2009, compiled by the American Library Association, is *drum roll please* the Harry Potter series. This series has been accused of promoting witchcraft/atheism, encouraging children to misbehave and make bad decisions, and being just plain frightening. (I’m not sure if trying to fly on a broom falls under “witchcraft” or “making a bad decision.”)

I personally thought the Harry Potter books were a fantastic collection of mythology and folklore interwoven into a story of an abused boy who makes something of himself despite not having a loving family environment and having to ward off attacks on his life every year. But, I was probably reading too far into the storyline and overlooked the details enticing children to the dark side with promises of owl-delivered invitations to a wizarding school.

I will be the first to admit that Harry and his friends do lie, break rules, and disrespect authority figures, but so do most school children (which is why I homeschool). I would also like to point out that if fictional characters always told the truth, followed the rules, and showed more respect for others, stories would be pretty boring, probably not go anywhere, and miss the point of creative writing.

The complaint that makes me laugh the most is the accusation that the Harry Potter series is too scary for children. Honestly, I think the news is the scariest thing I’ve read on any given date. At least when they read the books the kids can tell themselves “it’s just a story.” Of course, any sensible parent would read what their kids read, be aware of what is age-appropriate and realize that, in our world, children are no strangers to suffering and death.

My personal experience with the Harry Potter books includes reading the series, watching the movies, and collecting some of the memorabilia (which includes a sorting hat). I have thrown Harry Potter themed parties for organizations like Big Brothers Big Sisters. I had craft tables where the kids could make their own wands with unicorn hair, dragon scales, and phoenix feathers. We sorted participants in the four houses of Hogwarts (by drawing names out of my sorting hat), gave prizes for trivia questions about the books, and shared a Harry Potter birthday cake. In return, our guests were asked to bring new books (any children’s books) that were donated to children of families who could not afford the luxury of reading material.

Some people would say that a kid reading anything without discretion or standards is not an accomplishment, but I say that kids reading books and sharing that love of reading with less fortunate children is something to be proud of.

September 25, 2010

Banned Books Week

by thiszine

The 2010 Banned Books Week is September 25 – October 2. Sponsored by the American Library Association (ALA), banned books week was founded to highlight issues of censorship around reading and free speech. During Banned Books Week, the ALA looks at books that have been banned (formally removed from school or library shelves) and books that have been challenged (where someone has lodged a formal complaint against a book). Over the course of the week, we look forward to sharing with you our experiences with banned books and our thoughts on censorship and free speech.

Why are books banned or challenged?
The Office of Intellectual Freedom cites the following three reasons for challenging materials:
1. the material was considered to be “sexually explicit”
2. the material contained “offensive language”
3. the materials was “unsuited to any age group”

Why should I care about banned books?
Intellectual freedom, which the ALA defines as “the freedom to access information and express ideas, even if the information and ideas might be considered unorthodox or unpopular” is integral to the free and open access of information, democratization, self-belief, and self-expression. When restraints are imposed on the availability of information in a free society, the foundation of that very society is at risk.

The ALA’s list of frequently challenged classics reveals an interesting irony: George Orwell’s 1984 is on the list. Here are the others:

1. The Great Gatsby by F. Scott Fitzgerald
2. The Catcher in the Rye by J.D. Salinger
3. The Grapes of Wrath by John Steinbeck
4. To Kill a Mockingbird by Harper Lee
5. The Color Purple by Alice Walker
6. Ulysses by James Joyce
7. Beloved by Toni Morrison
8. The Lord of the Flies by William Golding
9. 1984 by George Orwell
10. The Sound and the Fury by William Faulkner
11. Lolita by Vladmir Nabokov
12. Of Mice and Men by John Steinbeck
13. Charlotte’s Web by E. B. White
14. A Portrait of the Artist as a Young Man by James Joyce
15. Catch-22 by Joseph Heller
16. Brave New World by Aldous Huxley
17. Animal Farm by George Orwell
18. The Sun Also Rises by Ernest Hemingway
19. As I Lay Dying by William Faulkner
20. A Farewell to Arms by Ernest Hemingway
21. Heart of Darkness by Joseph Conrad
22. Winnie-the-Pooh by A. A. Milne
23. Their Eyes Were Watching God by Zora Neale Hurston
24. Invisible Man by Ralph Ellison
25. Song of Solomon by Toni Morrison
26. Gone with the Wind by Margaret Mitchell
27. Native Son by Richard Wright
28. One Flew Over the Cuckoo’s Nest by Ken Kesey
29. Slaughterhouse-Five by Kurt Vonnegut
30. For Whom the Bell Tolls by Ernest Hemingway
31. On the Road by Jack Kerouac
32. The Old Man and the Sea by Ernest Hemingway
33. The Call of the Wild by Jack London
34. To the Lighthouse by Virginia Woolf
35. Portrait of a Lady by Henry James
36. Go Tell it on the Mountain by James Baldwin
37. The World According to Garp by John Irving
38. All the King’s Men by Robert Penn Warren
39. A Room with a View by E. M. Forster
40. The Lord of the Rings by J. R. R. Tolkien
41. Schindler’s List by Thomas Keneally
42. The Age of Innocence by Edith Wharton
43. The Fountainhead by Ayn Rand
44. Finnegans Wake by James Joyce
45. The Jungle by Upton Sinclair
46. Mrs. Dalloway by Virginia Woolf
47. The Wonderful Wizard of Oz by L. Frank Baum
48. Lady Chatterley’s Lover by D. H. Lawrence
49. A Clockwork Orange by Anthony Burgess
50. The Awakening by Kate Chopin
51. My Antonia by Willa Cather
52. Howards End by E. M. Forster
53. In Cold Blood by Truman Capote
54. Franny and Zooey by J.D. Salinger
55. The Satanic Verses by Salman Rushdie
56. Jazz by Toni Morrison
57. Sophie’s Choice by William Styron
58. Absalom, Absalom! by William Faulkner
59. A Passage to India by E. M. Forster
60. Ethan Frome by Edith Wharton
61. A Good Man Is Hard to Find by Flannery O’Connor
62. Tender Is the Night by F. Scott Fitzgerald
63. Orlando by Virginia Woolf
64. Sons and Lovers by D. H. Lawrence
65. Bonfire of the Vanities by Tom Wolfe
66. Cat’s Cradle by Kurt Vonnegut
67. A Separate Peace by John Knowles
68. Light in August by William Faulkner
69. The Wings of the Dove by Henry James
70. Things Fall Apart by Chinua Achebe
71. Rebecca by Daphne du Maurier
72. A Hitchhiker’s Guide to the Galaxy by Douglas Adams
73. Naked Lunch by William S. Burroughs
74. Brideshead Revisited by Evelyn Waugh
75. Women in Love by D. H. Lawrence
76. Look Homeward, Angel by Thomas Wolfe
77. In Our Time by Ernest Hemingway
78. The Autobiography of Alice B. Toklas by Gertrude Stein
79. The Maltese Falcon by Dashiell Hammett
80. The Naked and the Dead by Norman Mailer
81. Wide Sargasso Sea by Jean Rhys
82. White Noise by Don DeLillo
83. O Pioneers! by Willa Cather
84. Tropic of Cancer by Henry Miller
85. The War of the Worlds by H. G. Wells
86. Lord Jim by Joseph Conrad
87. The Bostonians by Henry James
88. An American Tragedy by Theodore Dreiser
89. Death Comes for the Archbishop by Willa Cather
90. The Wind in the Willows by Kenneth Grahame
91. This Side of Paradise by F. Scott Fitzgerald
92. Atlas Shrugged by Ayn Rand
93. The French Lieutenant’s Woman by John Fowles
94. Babbitt by Sinclair Lewis
95. Kim by Rudyard Kipling
96. The Beautiful and the Damned by F. Scott Fitzgerald
97. Rabbit, Run by John Updike
98. Where Angels Fear to Tread by E. M. Forster
99. Main Street by Sinclair Lewis
100. Midnight’s Children by Salman Rushdie

September 25, 2010

September/October 2010 Issue Is Here!

by thiszine

We can’t believe it’s true!

Head over and read our newly published September/October 2010 issue!

September 24, 2010

Happy National Punctuation Day!

by thiszine

Today the U,S, celebrates the {unofficial} seventh annual National Punctuation Day; with a Punctuation!? Program in “elementary schools…. a Haiku contest': and meatloaf shaped! like a question mark – We hope you”ll celebrate your punctuation dexterity and power today too;-!

Follow

Get every new post delivered to your Inbox.

Join 60 other followers